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av({"version":"1.0","encoding":"UTF-8","entry":{"xmlns":"http://www.w3.org/2005/Atom","xmlns$blogger":"http://schemas.google.com/blogger/2008","xmlns$georss":"http://www.georss.org/georss","xmlns$gd":"http://schemas.google.com/g/2005","xmlns$thr":"http://purl.org/syndication/thread/1.0","id":{"$t":"tag:blogger.com,1999:blog-1594059130900115714.post-4670447222921695570"},"published":{"$t":"2016-05-03T21:33:00.001-07:00"},"updated":{"$t":"2016-05-03T21:33:06.928-07:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"Críticas"}],"title":{"type":"text","$t":"CRÍTICA: «High Rise» (2015), de Ben Wheatley"},"content":{"type":"html","$t":"\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-Yn8KD-YOMQU\/Vyl6_06XoJI\/AAAAAAAACwI\/sjvvrv-UlVsC9WoXkCMLrVSsh_jsl9qKACLcB\/s1600\/maxresdefault.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"360\" src=\"https:\/\/2.bp.blogspot.com\/-Yn8KD-YOMQU\/Vyl6_06XoJI\/AAAAAAAACwI\/sjvvrv-UlVsC9WoXkCMLrVSsh_jsl9qKACLcB\/s640\/maxresdefault.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.32px; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003EOs visuais fazem lembrar o retro-futurismo de Kubrick, acompanhados pelo surrealistíco tom de Buñuel e o imaginário de Carax numa orgia metafórica de ascenção social e lutas entre classes, tudo num único lugar, num tempo que já foi mas que nem por isso se torna mais datado.\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.32px; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/2.bp.blogspot.com\/-NmUlTijhQtU\/Vyl7IXZG_qI\/AAAAAAAACwM\/4TY_Ct1mNkQLVIoYs560YDNXMEtTGBr6gCLcB\/s1600\/2016_11_high_rise.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"400\" src=\"https:\/\/2.bp.blogspot.com\/-NmUlTijhQtU\/Vyl7IXZG_qI\/AAAAAAAACwM\/4TY_Ct1mNkQLVIoYs560YDNXMEtTGBr6gCLcB\/s640\/2016_11_high_rise.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.32px; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.32px; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003ETom Hiddleston coloca a sua personagem como o ponto central e seguro de toda a narrativa que se muta até atingir um patamar explosivo e irreconhecível de sexo, violênci\u003Cspan class=\"text_exposed_show\" style=\"display: inline;\"\u003Ea e absurdez. A personagem de Tom e o seu apartamento são um lugar neutro, cinza como as cores que escolhe para pintar as suas paredes, todavia esconde em caixas a sua própria bagagem pessoal que vai abrindo à medida que ascende de patamar social e se aproxima daquilo que pretende.\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv style=\"background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.32px; margin-bottom: 6px; margin-top: 6px; text-align: justify;\"\u003E\u003Cspan class=\"text_exposed_show\" style=\"display: inline;\"\u003E\u003Cbr \/\u003E\u003C\/span\u003E\u003C\/div\u003E\u003Cdiv class=\"separator\" style=\"clear: both; text-align: center;\"\u003E\u003Ca href=\"https:\/\/3.bp.blogspot.com\/-uM_JVGURnlo\/Vyl7O6is4qI\/AAAAAAAACwQ\/RQqM8ebo6F8bY83JV4BDunQ9OmukdiD5QCLcB\/s1600\/high-rise-makes-dystopian-class-warfare-look-good-1460512098.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"\u003E\u003Cimg border=\"0\" height=\"480\" src=\"https:\/\/3.bp.blogspot.com\/-uM_JVGURnlo\/Vyl7O6is4qI\/AAAAAAAACwQ\/RQqM8ebo6F8bY83JV4BDunQ9OmukdiD5QCLcB\/s640\/high-rise-makes-dystopian-class-warfare-look-good-1460512098.jpg\" width=\"640\" \/\u003E\u003C\/a\u003E\u003C\/div\u003E\u003Cdiv class=\"text_exposed_show\" style=\"background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19.32px;\"\u003E\u003Cdiv style=\"margin-bottom: 6px; text-align: justify;\"\u003E\u003Cbr \/\u003E\u003C\/div\u003E\u003Cdiv style=\"margin-bottom: 6px; text-align: justify;\"\u003E«High Rise» é uma distopia que mostra as (ainda) atuais convenções sociais e limites extrapolados ao máximo pelo Homem. Em vez de num plano lato o fazer no mundo, o escritor (J.G. Ballard) que criou a obra-base escolheu apenas um prédio para fazer a crítica social e ao mesmo tendo dando uma facada no capitalismo.\u003C\/div\u003E\u003C\/div\u003E"},"link":[{"rel":"replies","type":"application/atom+xml","href":"http:\/\/cinemaschallenge.blogspot.com\/feeds\/4670447222921695570\/comments\/default","title":"Enviar comentários"},{"rel":"replies","type":"text/html","href":"http:\/\/cinemaschallenge.blogspot.com\/2016\/05\/critica-high-rise-2015-de-ben-wheatley.html#comment-form","title":"0 Comentários"},{"rel":"edit","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1594059130900115714\/posts\/default\/4670447222921695570"},{"rel":"self","type":"application/atom+xml","href":"http:\/\/www.blogger.com\/feeds\/1594059130900115714\/posts\/default\/4670447222921695570"},{"rel":"alternate","type":"text/html","href":"http:\/\/cinemaschallenge.blogspot.com\/2016\/05\/critica-high-rise-2015-de-ben-wheatley.html","title":"CRÍTICA: «High Rise» (2015), de Ben Wheatley"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/2.bp.blogspot.com\/-Yn8KD-YOMQU\/Vyl6_06XoJI\/AAAAAAAACwI\/sjvvrv-UlVsC9WoXkCMLrVSsh_jsl9qKACLcB\/s72-c\/maxresdefault.jpg","height":"72","width":"72"},"thr$total":{"$t":"0"}}});